by Kelly Carey

​An accurate way to track the sales of your book are through royalty statements. But those statements often come only twice a year, and you might be itching to see how your book baby is doing much more frequently than that. There are few unscientific ways to take a little peek at how your book is doing out in the world of readers. Here are a few I check daily - I mean occasionally.
​
Warning: You need to assess your mood before you search through any of these sites. If an unkind comment from a reviewer will have you in a hedgehog-ball on the couch, best to wait for your royalty statement. But if you’ve tested your skin for the day and found it acceptably thick, dive in! 

Amazon
Yes, we all disparage the big online giant and prefer the indie bookstore down the street, but since Amazon exists, we might as well use it to see how our book is fairing. There are a few indicators on Amazon that you can peruse.  Peek at the book’s star rating and overall number of ratings at the top of the listing, then scroll down and read any reviews. It can be fun to keep track of how many readers have left reviews. But, please, read the good reviews multiple times and never read the unfavorable or unkind comments. You can only care about the folks who loved your book!

At the bottom of your book’s Amazon listing under the header Product Details you can see your book’s Best Seller Ranking and where it ranks in the categories Amazon has assigned to it. If your book hits a top tier of these rankings, it can earn a special orange banner.
​
Finally, I always get happy when a notice pops up from Amazon saying something along the lines of “Only 8 in stock (more on the way).” I love knowing that more copies are being ordered and on their way to the Amazon warehouse. 

Goodreads
Like Amazon, Goodreads uses a reader collected rating system that not only shows you an overall rating out of 5 but allows you to view details of how each reviewer rated the book. You can also find detailed reviews here.

Along the right side of your book’s Goodreads page, you can also see what other books your readers are enjoying and you can peek at the bookshelves readers have selected for your book.  It’s especially fun when you find that your discerning readers are also enjoying books that you esteem.

Barnes & Noble
Much like Goodreads and Amazon, Barnes & Noble allows folks to rate and review books on their website. As a result, you can visit your book’s page on Barnes & Noble and see its overall rating as well as view and read individual reviews from readers. 

Edelweiss+
Edelweiss+ is an online platform used by booksellers and librarians to get information to help them sell, discover, and order new titles. You can sign up for a free account and check out your book’s entry. You will see reviews from booksellers, librarians and fellow authors and you can also peek at comp titles, reviews, and recommended marketing plans. Your bio and website should be listed here. It’s a good idea to make sure the information here is accurate. If you notice any issues, contact your publisher. 

WorldCat
WorldCat is a global catalog and search engine for library items around the world. You can visit www.WorldCat.org and go to your book’s page. On this page you can view all the different libraries that have a copy of your book in their collection. It's like playing an author version of Flat Stanley when you get to see all the places your book has traveled. You might be tickled to see that patrons in places like Hot Springs, Arkansas, or Anchorage, Alaska and Chicago, Illinois can all find your book on their library shelves.  WorldCat also provides the Goodreads reviews of your book. 

Local Library
This is my favorite. I log into my local library’s online catalog. This allows me to see all the local libraries that have my book on their shelves and more importantly, I can see if my book is currently checked out. There is a wonderful thrill when you see that your book has been checked out of a library a few towns over and you wonder if a little reader chose it for their bedtime story last night. Or maybe, they are sitting on the couch right now enjoying your words. 

​You wrote your book to be read. Take a peek at a few of these places and take heart in knowing that readers near and far are indeed enjoying your work.

​Then open a fresh page and get going writing the next one! 

My book with illustrator Katherine Roy, THE FIRE OF STARS (Chronicle Books), is a double read aloud, sharing the life story of astronomer Cecilia Payne, told alongside the process of star formation. The book parallels the kindling of Cecilia Payne's own curiosity and her scientific career with the process of a star's birth, from mere possibility in an expanse of space to an eventual, breathtaking explosion of light.

Cecilia lived her scientific life in pursuit of the thrill of discovery versus fame or fortune. She first felt that thrill as a young girl, when she figured out all on her own why a flower was shaped like a bee (to trick the bees to mate with it and pick up pollen). For her, that feeling of understanding was electric and alluring enough to help her persevere through years of befuddlement as she searched for scientific breakthroughs. 

I felt such a kinship with Cecilia when I read this, as I feel exactly the same way about writing. I can labor for years in the dark on a single story idea. I try writing it different ways using various structures, voices, and points of view. And then, just when I’m about to throw up my hands in frustration, it all comes together in a lightning bolt of insight when I discover my draft.

I live for the moment when a draft finally comes together, and I feel I’ve got it just right. And what I’ve learned from experience and from studying scientists like Cecilia is that you can’t force the break through. You will never know when it’s going to happen. You just have to stay present with the work even when you want to give up. And then, when you least expect it (in the shower, on a walk, or while doing dishes), it all comes together.​

I put off writing this post until the last minute. With apologies to my colleagues, who had their sections done with plenty of time to spare, here I am on the eve of our deadline and my share of the Google doc is still blank. This hasn’t been typical procrastination. I’ve had it written in my mind for weeks. It’s personal. It’s vulnerable. And that’s why it has sat in my head rather than on the page.
​
But I have a book coming out next month about a teenage French resistance fighter who used a hollowed-out toy duck to hide false identity papers from the Nazis during WWII. In addition to telling the story of this Holocaust hero, HIDDEN HOPE (Abrams, illustrated by Amy June Bates) highlights the importance of never having to hide the truth of who you are.
 
It’s a message I want more than anything for young readers to internalize. And so, I will begin. Because, inspired by the heroism of my main character, I want to show people that their voices, their experiences, and their identities should never be hidden. 

I believe our books can be windows into aspects of who we are. And through those windows, readers can hopefully see themselves and know they’re not alone.
 
According to Hitler’s plan, I’m not supposed to be here writing this. Growing up, I learned about the Nazis’ intention to build a “museum of an extinct race,” displaying Jewish artifacts like the torah scroll in our temple. Our particular scroll was rescued from a synagogue in Czechoslovakia, which the Nazis burned to the ground.
 
Even as I felt a sense of intrinsic pride in being among a minority with a history of persecution and survival, there was a part of me that felt like I had to hide my Jewish identity.
 
In third grade, a classmate who I thought was my friend took out a ruler and tried to measure my nose, because his parents told him “Jews have big noses.” Just out of college, I was excited to be out with a new group of friends who decided to test if I really was in fact Jewish by dropping a nickel on the ground to see if I’d pick it up. There were countless examples in between. In each case, no one who saw what was happening said anything. Often, I was accused of being too sensitive, unable to take a joke. I would sometimes feel so self-conscious that I wouldn’t speak up. It took me a long time to come out of hiding — to develop my Jewish voice — even when it didn’t feel safe.
 
I’m hoping this book takes its place alongside others that are opening up wider conversations about anti-Semitism. I’m also hoping it encourages awareness about the importance of having a safe space to be the full truth of who we are, regardless of religion or experience or identity, and the importance of holding that space for others to do the same.

To learn more about Kristen Larson visit here. 
To learn more about Lindsay H. Metcalf visit here. 
To learn more about Elisa Boxer visit here. 
To purchase their books, please click on the cover photos in the post. 
All three authors are members of  The Soaring ‘20s—High Flying Books for Kids and Teens. 

​

​Annie Romano is a literary associate with Olswanger Literary. She represents adult fiction and select nonfiction projects. She is also a published children’s book author and one of the founders of 24 Carrot Writing. You can learn more about her at www.anniecroninromano.com.

~by Amanda Smith

A couple of months ago, I was prattling my mental to-do list aloud while my husband patiently listened. “… and I still have to write down my monthly goals before our 24 Carrot meeting tomorrow,” I said, running out of breath, and steam. And time.

His eyes glinted mischievously. “Just copy last October’s goals,” he said.
​
Wrapped up in my busyness, I retorted, “If I could just copy last year’s goals, that means our method doesn’t work very well, does it?”


But wait? Does it? His silly suggestion intrigued me. 24 Carrot Writing celebrated its eighth birthday this year. For eight years (more actually, because we were an accountability group before we were a blog) I’ve religiously set monthly goals, checked them off, and reported back to my partners. Our whole premise is rooted in the idea of setting monthly goals and rewarding ourselves for reaching those goals. But the elephant in the room asks: Does it actually work?

I always check my yearly goals around this time of the year to see where I hit the mark, where I missed, and where, perhaps the road turned in a different direction. We also encourage our readers to check those goals mid-year with our June Years Eve blogs, making sure we are on track. But never have I ever checked a random month from the previous year to see how it lined up with my current journey. In the day-to-day work of writing, does setting monthly goals actually move me markedly forward? Color me curious!
​
So, with a hint of trepidation, I flipped back to October 2021 in my beloved bullet journal to reread my goals. 

In the past Kristi had a running list of tasks she’d cross off upon completion, but in January 2022 she joined our accountability group and took up monthly goal setting. One of her January goals was to revise a picture book. Her goal for this manuscript was to send it to Gnome Road publishing when their submission window opened in March. ALPACHAS MAKE TERRIBLE LIBRARIANS will hit the shelves in 2024, published by Gnome Road!

The trend is consistent: projects that were started are now complete, rewrites and revisions occurred, picture books went from concept to query (with all the appropriate in-between steps!), some projects carried over from month to month (oops), but eventually, they get done (or end up in the “darlings file”).

Beautiful, inspiring forward motion.

By Jove! It works!

Would we have done some of these things, even if we hadn’t set them as monthly goals? Likely. But would we have done all of them in a timely manner? Definitely not. To be certain, the smaller things, such as those poems, would have fallen off my radar, and I would have missed out on the joy of this anthology to come.

When our kids sometimes feel overwhelmed by the size of a task, my husband would ask: “How do you eat an elephant?”

One bite at a time.
​
In the elephantine cycle of writing, revising, critiquing, polishing, querying, waiting, signing, selling, marketing, promoting, doing-it-all-over-again, monthly goals are manageable bites.

So this January, yes, dream big and set those yearly goals! But then commit to bite-sized monthly goals, break them up in daily tasks, and keep moving forward. And every once in a while, peek back and see your progress – the biggest, sweetest, brightest carrot of all!

To learn more about my bullet journal, and how you can also keep track of things like monthly and yearly goals, check out this blog.

About the art:
Janine Nel is a South African artist whose preferred medium is oil, using a photorealistic style. However, she enjoys experimenting with various mediums and paints a multitude of subjects. To learn more, visit her website here, or follow her on her Facebook art page.

The holiday season is here! Are folks asking you for gift ideas? Are you searching for the perfect item for a writing colleague? 24 Carrot Writing has compiled the dream wish list for writers. 

24 Carrot Writing's guest bloggers, contributors, and active founders have each shared a special item that makes their creative endeavors happier, successful, and more productive. We hope you find ideas you want to share and maybe a few carrots for your next month of goals. ​

I'd heard about Highlights -- how amazing it is -- and had planned to travel there. When I received an invitation to serve as a faculty member in their Summer Camp in Fiction program in July, I gladly accepted; it was definitely a highlight (yes, it's a pun!) of my summer. I was excited to return in September for an Amplify Black Stories retreat, which was equally enjoyable. I'm already planning for a visit in the spring -- with a group of kidlit creators represented by my agent, James McGowan (Go, #TeamJames!) -- and will, hopefully, be invited back in the near future as a faculty member. 

I cannot recommend Highlights enough. The setting is serene; the meals are fabulous; and the community is so warm and welcoming. This experience needs to be on every writer and illustrator's wish list. Highlights also offers numerous scholarships, so don't miss their window to apply.
​​​

Valerie Bolling is the author of the 2021 SCBWI Crystal Kite award-winning and CT Book Award finalist LET’S DANCE! (March 2020). In 2022 Valerie launched TOGETHER WE RIDE (April) and RIDE, ROLL, RUN: TIME FOR FUN! (October). To learn more about Valerie, visit here. 

Nancy Tandon is an author of middle grade novels, including THE WAY I SAY IT (Charlesbridge, 2022), and THE GHOST OF SPRUCE POINT (Aladdin, 2022). She pulls on her past as a teacher and speech/language pathologist to fuel her current joy: writing stories about awesome kids doing brave things. Visit her at www.nancytandon.com. ​

Annie Cronin Romano is one of the co-founders of 24 Carrot Writing and is a published picture book author. In addition to her love of kidlit, she also writes adult fiction, works as a bookseller at an indie bookstore, and is a literary associate with Olswanger Literary. Learn more about Annie at www.anniecroninromano.com.

Megan Litwin is a 24 Carrot Writing Regular Contributor and author of TWINKE, TWINKLE, WINTER NIGHT (Clarion, 2022) and the upcoming early reader series, DIRT AND BUGSY (Penguin Workshop, 2023). Learn more about Megan at www.meganlitwinbooks.com/​. ​

Amanda Smith is a co-founder of 24 Carrot Writing. Her poems can be found in the Writer's Loft Anthology, Friends and Anemones: Ocean Poems for Children and in the upcoming anthology Bless the Earth (Convergent Books, 2024) Learn more  at AmandaSmithWrites.

 Guest Blog by Ellen Mayer
​
All picture books are works of collaboration. But with Leaves to My Knees, I had an extra-special helper: my young granddaughter. Elise was three-and-a-half years old when I first brought her in as a collaborator. A beta reader for this newly published book, she is now a first grader.
​​

The Math Makes Sense
 Leaves to My Knees is a playful STEM story about a little girl, Camille, who is determined to rake a pile of leaves all the way up to her knees to jump in. In the story I wanted to demonstrate how young children, before they use formal units of measurement like a ruler, measure by comparing sizes with their own bodies in everyday activities.
 
Elise at age three-and-a-half helped me “test out” the use of the math ideas on measurement and comparing sizes in my polished draft. As we raked leaves together in the backyard, I slipped in story character Camille’s mathematical thinking. How about raking a pile all the way up to your knees? I asked. The prospect not only delighted Elise, but the thinking felt true and natural to her, and soon she was chatting about the progress of the pile up her legs, just like story character Camille. She was also interested in comparing the size of her little toy rake against the big grown-up rake of her grandfather. For this young child, the math in the story made sense. 

Clarification Is Needed 
In the fall of 2019, I submitted the manuscript to the publisher. After I signed a contract for the book in the spring of 2020, Elise began to help me with revisions. While zoom readings during the beginning of the pandemic meant the loss of the lap, this technology did afford me a clear view of Elise’s four-year-old face, and I was able to make note of her expressions and body language as I read the text to her. Before the reading, I said: 

Elise, there are no pictures yet. You’ll just have to imagine them for now. But I’ll read you the words. 
She listened intently as I read through the entire text.
What do you think? I asked.
GOOD! she proclaimed.
​
Even without the art, the story kept her attention – and elicited smiles.
 
But I noticed one point where Elise furrowed her brows. When Camille sets out to rake leaves all the way up to her knees, she hoists her rake up onto her shoulder and does so “Because I mean business.” 
Elise was clearly drawing a blank at the idiom.

Is “I mean business” kind of confusing? Should I change that a bit? I asked.
Yeah.
How about if I say: “Because I am serious­­­­­­­­­––I mean business!”
That’s good, she said.

Of all the idioms in the story, that one needed a little explication for this four-year-old.
​

Reconsider a Character 
Months later, a PDF arrived from publisher Star Bright Books with illustrator Nicole Tadgell’s full-color art in it. After reading it aloud to Elise, my beta listener paused thoughtfully and asked:
 
You know, Mimi, Jayden doesn’t say anything. How come?
 
That gave me pause. She found it odd that the goofy and playful two-year-old brother Jayden didn’t say anything. I never deliberately intended for him to be silent. Hmmmm.
 
My publisher was getting the files ready for the printer, but I had to email the editorial team.
 
If it's not too late, I have a suggestion for one more text edit. This suggestion is prompted by a comment made by my granddaughter when I read her the story recently. She pointed out – with some concern – that Jayden doesn't say anything in the story.
 
I suggested that we have Jayden join in with Daddy when he cheers Camille on with a GO! as she readies herself to jump into her leaf pile, now up to her knees.
 
Star Bright Books concurred. One of the editors wrote back:
 
It’s always fascinating to learn what children can see that adults don’t. Thank you, Elise, now Jayden has his own “voice.”
   

A Starred Review  
I learned that the reception of the story only improved with repeated readings.

I watched my granddaughter sitting on the sofa beside her grandfather as he read aloud from the pages of the PDF, her face passing through a wide range of emotions as Camille suffers ups and downs in her leaf-raking project. When they got to the page where Camille steps into her hard-earned knee-high leaf pile, confirming that it indeed reaches to her knees, and shouts “TA-DA!”,
​
Elise sprang up on the sofa and raised her hands high above her head in victory, just like Camille, and shouted joyfully:
 
TA-DA!
 
Months later, she insisted that she had “requested” that Camille say “TA-DA” back in the editorial stage. But then, that’s what happens in collaboration, isn’t it? We often forget who contributed what.
 
When she was six years old and a rising first grader, Elise wrote out her review.

To help her elaborate on her stickies, I said I wanted to “interview” her about each page. With much eagerness and solemnity, she pulled up a chair next to mine. As we slowly examined each page I asked her what she thought and she provided detailed feedback. She loved what the kids were wearing (it’s a Stegosaurus hood on Jayden), Jayden was so funny, her favorite image was the cover because Camille looks so happy.
 
Elise identified with Camille, and she thought her peers would, too. They would understand how Camille feels and they’d feel the same way in that situation.
 
Like, it’s a good book because it’s kind of like you’d be if you were Camille… I think the kids in my kindergarten class would’ve liked the book because it’s like them.
​

Ready to Read
 Soon after Elise started first grade, I had a surprise for her. It was the “F&G”, the folded and gathered advance pages of the book, before it was bound. It was a glossy splash of fall color, all ready to read, with real pages to turn. She was the person I most wanted to share it with. I jumped right in and started reading.
 
After several pages, she put her hand over mine.
She had a surprise for me, too.
 
STOP, MIMI! she said. Let me read. I’ll read this page.
Since I couldn’t see very well through my tears, I let her take over.
 
The book had come far in those last three years.
And so had Elise.

Lessons Learned From a Young Beta-Reader 
Quite apart from the joy our journey together afforded me, getting reactions from a real child helped my writing process:

1. As we enacted story concepts out in the world, and later shared the text and then images, I felt some validation that the story was working on a fundamental level.
2. Sharing also helped me strengthen the text with some key edits ranging from word choice to character presentation.
3. Finally, involving my granddaughter over a period of time as the project developed gave me a glimpse of how a child at different ages might interact with this book. While the five-year-old let out a cheer along with the main character, the six-year-old learning to read was also buoyed by the repetition and assonance in the text.

 
Each child and each book process is unique. For myself in this case, I came away with some thoughts about how to incorporate a young child into the making of a picture book:

1. Getting feedback on what was working and not working when my granddaughter was three required starting with careful observation of her behaviors as I read the story aloud. A very different process than that with an older reader child for a beta test of a middle grade novel! And zoom was my friend here.
2. However, when she was an older six, my child collaborator enjoyed fielding questions about her responses to the book.
3. I think allowing Elise to interact with the emerging book in ways that were developmentally appropriate and driven by her (coloring! cutting!), added to her excitement about and engagement in our collaborative process.

 You will never sell a book by claiming that your grandchild loves it, but working with a young reader in your family to critically evaluate your manuscript can make it stronger and help it find publishing success. I hope the collaboration I enjoyed with my granddaughter, as I worked on Leaves to my Knees, makes you think about using your own young beta-reader to improve your work.

Leaves to My Knees, illustrated by Nicole Tadgell, and published by Star Bright Books in October 2022, is Ellen Mayer’s ninth book for children and her third math-infused one. Before focusing on writing for children, Ellen was an education researcher at Harvard’s Graduate School of Education, studying family engagement in young children’s learning, and an early literacy specialist home visitor with the Cambridge Public Schools in Massachusetts. To learn more about Ellen and her various books for children, visit her website at www.ellenmayerbooks.com. To learn more about illustrator Nicole Tadgell visit her website at ​http://nicoletadgell.art/.

by  Kelly Carey

​For two years I have enthusiastically participated in World Read Aloud Day. This annual event, held on the first Wednesday in February, brings authors and teachers together to host a day of virtual author visits in classrooms around the world. The day is fun and exciting, and meant to inspire students. But if authors don't take a few simple steps, it can also be nerve-racking and exhausting. 
​
If you are a published author with a book to share and want to join this annual event, here are some tips to make your World Read Aloud Day run smoothly. 

Register
Visit the World Read Aloud Day (WRAD for short) site here to learn all about the WRAD program. The site is filled with information on how WRAD works, and offers great resources to make your involvement special. Once you decide to be a participant, you can register as a volunteer author on Kate Messner's blog here. It’s free to participate and you are not required to send books. All that is required is that you offer a few free virtual classroom visits on the first Wednesday in February. 

Before you register, finish reading this blog. You'll want all the tips before you fill out your registration form. 
​

Consider Stamina
The first time I participated in WRAD, I was SO excited that I booked visits from early in the morning and then every thirty minutes until late in the afternoon. Each WRAD visit is set to be fifteen to twenty minutes long. I foolishly thought that a ten-minute break between meetings was ample time to reset. By the end of the day, I was frazzled and exhausted. Not to mention hungry and needing a bathroom break!

Think about your energy level and stamina and consider how many high energy visits you can really do. My improved WRAD plan has me starting at 9am with visits on the hour until 4pm. I also built in a lunch hour.  This is doable for me. Setting visits on the hour versus the half hour alleviates the stress if a school signs in late, or if technical difficulties cause delays. Sometimes, an energized classroom needs just a few extra minutes so one or two more students get a chance to ask a question. Building in a cushion will not only give you a chance to regroup, but it could also be important for the teacher and students excited for your visit.
​ 

Create A Sign-Up Form
Once you have decided how many visits you want to offer and at what times, you will want to create a sign-up form. I didn't create a form on my first year and the result was email chaos. Teachers were asking for odd times, conflicting times, cancelling, rebooking, and just when I thought I had overlaps smoothed out, emails requesting another change would hit my inbox.

A clear sign-up form ensures that teachers reserve a visit for an available time and only when they are really ready to commit.

I recommend using Sign Up Genius to administer your WRAD schedule. Sign Up Genius is free and easy to use. Check out Sign Up Genius here and for a sample of my WRAD sign up form go here.

My form asks teachers to provide the student's grade level, and the name, state, and country of their school. I also ask for an email contact that I use later to confirm the visit and gather information on a link for the visit.

Your sign-up form is the perfect place to layout expectations for the visit. WRAD visits are meant to be twenty-minute virtual visit where authors greet students, read their book, and offer a quick Q&A. This is NOT an hours long classroom visit with crafts and activities. Being clear on the format when teachers sign up helps ensure that everyone understands the structure of the visit.

When you register for WRAD, use the web address for your sign-up form on the registration. That way interested teachers will be directed to your form. Then go ahead and blast a link to the form out on social media. If you get email requests from teachers, you can eliminate confusion by replying with an email directing them to your sign-up form.
​
Once your form is full, you can direct teachers to an author friend or two who might still have open slots. Keep a few of these authors in mind and be ready to send teachers to their forms.

Send Confirmations and Reminders
Once a classroom has signed up, I send a confirmation email. I reiterate the format of the visit, confirm the time and date, and ask if the school will provide a visit link or if they would like me to send a link. I also ask the teacher if they would like their students to have the opportunity to order signed copies of my book (more on this later). A week before WRAD, I send out a reminder that reviews all this information again. This reminder email is a terrific opportunity to ask the teacher to emcee the Q&A by calling on students during our visit. With a virtual visit, I find this format works best. 

​Check Your Technology
All WRAD visits are virtual. While many schools will send you a visit link, some may prefer you to provide them with a link. Make sure you are ready and comfortable to work in different virtual meeting platforms. I defer to the school’s meeting platform of choice as many schools are required to use an approved system. But if the school wants me to set up the visit link, I use Zoom. I have found it helpful to create a separate Zoom meeting for each school. Some authors have a single Zoom link for the day, but I always worry that one school will sign in on top of another’s school’s visit.

Regardless of the platform for the visit, you'll want to make sure your computer has a functioning speaker and camera. Set up a practice visit with a trusted KidLit friend to make sure things are working well. Be careful, sometimes when you move away from your computer and hold a book up, it blocks your voice and kids will not be able to hear you reading your wonderful words! To combat this, I recommend using Air Pods or headphones.
​
Make sure you create a visually appealing and appropriate background for your visits. Consider the lighting in your space and make sure that as the sun travels across the hours of your WRAD visits that you are easy to see and not shadowed or sun shined out. You can place copies of your books in the background and opt to wear colorful clothes that compliment your book’s cover. 

Book or Slides
Think about how you want to present your book. Some folks will prefer to read a copy of their book as they hold it up for kids to see. Be sure you frame your book on the screen, so it is easily viewed. The advantage of holding up the book as you read is that you can point to certain things on each page for emphasis and pull the book closer to the computer camera for a zoomed in effect.
​
I prefer using a PowerPoint slide show as I read. The benefit here is that my face becomes a small little screen-in-screen image for my audience and the pages of the book fill their classroom monitor. For this method, I start out on camera, and then after introductions, switch over to the slideshow. After reading the book, I close out the slideshow and do the Q&A portion without slides. To create your book slideshow, you can ask your publisher to provide you with a PDF file of the book then build your slide show by making each page its own slide. If your publisher cannot provide a PDF, you can take pictures of each page of your book and upload them into a slide show. 

Create a WRAD Day Schedule Sheet
Even if you have smartly assessed your stamina, set up a sign-up form, and managed expectations, the day can still be a bit hectic. Make a cheat sheet of the day for yourself with each visit, the teacher’s name, email, and a clickable visit link. This will keep your entire day and all those visit links in one place rather than having to click around looking for emails from individual teachers and nervously trying to remember where exactly you saved the link for each visit.
​
It’s a good idea to make sure the name of the school, town and state is on this sheet as this information can be a wonderful way to make a connection with the students in your opening introduction. 

Option to Allow Book Purchases
Although it is not required, you can try to team up with a local indie bookstore and offer classrooms the opportunity for signed copies. You can also offer to send signed book plates to a bookstore near the school so that students can purchase signed copies. Both options involve planning.

To offer signed copies, I work in tandem with my local indie bookstore. I create and provide the school with a flyer they can reproduce and send home with their students detailing directions for ordering an autographed book. The bookstore agrees to facilitate the ordering. The benefit here is that I am not collecting forms or money, nor is the teacher. Instead, we direct caregivers/parents to order online directly from the sponsoring bookstore. To make this easier and cost effective for the bookstore, the bookstore bulk ships the books to the teacher for distribution to the students. Not every bookstore will be willing to partner with you to make this process happen, but you’ll never know if you don’t ask.

If you can find a bookstore partner and you want students to have the books in hand for WRAD, you will want to allow time for the teachers to distribute flyers, caregivers/parents to order books, and the bookstore  to mail the books out. Set ordering deadlines and allow for the time the bookstore will need to assemble and ship the books before WRAD in February. If this is too complicated, it is also fine to tell students that books can be ordered up until the day of WRAD and books will be shipped out 2-3 weeks after WRAD. All these details can be worked out with the bookstore.

Getting book orders is not the point of WRAD. This is an option that I mention when I send out confirmation emails. Some teachers will love the idea and others will politely pass.
​
Finally, some authors send swag to the schools like bookmarks and stickers. This is not something I have the budget for and so I have not offered this perk. But if you want to send out a thank you note with swag, just be sure you know how many students are in the classroom so that you send the right amount. 
​

​Have Fun!
World Read Aloud Day is a wonderful chance to share your book with students. Take some time to plan out the day so that you, and the classrooms you visit, have a fantastic WRAD experience! 

~Guest blog by Janet Costa Bates

​I call myself a writer, but I’m not sure why. I should call myself a ‘reviser,’ since, like most writers, I spend much more time revising manuscripts than I do writing the first draft. Writing the first draft is exciting, but the real magic happens during the revision process.
 
My first step in the revision process is to do absolutely nothing. I figuratively put the manuscript into a drawer and then work on something else. When it’s time to look back at it, I can do so with fresh eyes. Are there plot holes and how can they best be fixed? Are the characters true and consistent? If not, does something happen in the story to drive the change in their behavior? Is there fluff to be cut? Cuts can be as small as individual words or as big as characters, sub-plots, or description. I often pick a random number and make myself cut that number of words from a manuscript. There’s safety in knowing I can put any of the words back in, but I rarely do. 
 
I also go through the manuscript for grammar - NOT my favorite part. After all, my rule for commas is ‘random.’ Although I try to get the manuscript into decent shape, I’ve learned not to obsess too much. I now know there are magical people called copy editors who have much more grammatical talent than I do. 
 
Some revisions are routine and fairly quick. Other revisions are not at all routine, not at all quick, but totally worth it. Let me share a few examples with you.

by Kelly Carey

​As we celebrate our 8th birthday, we are excited to unveil a new logo and a revamped website.

We’ve come a long way from those early days button mashing and grumbling at the computer as we learned to navigate the ins and outs of creating a website and launching 24 Carrot Writing. Over the past eight years we have seen our 24 Carrot Writing community grow and we are so thrilled to have a full and vibrant crew of carrots!

Take some time to visit our sleek new website, and enjoy our snazzy new logo. And thank you for joining us as we all continue to explore the craft and carrots of writing for children! 

It wouldn’t be a 24 Carrot Writing post if we didn’t take this moment to encourage you to consider an overhaul of your own social media presence. We know you worked hard to design that initial website or set up your author Facebook page. You probably stressed over finding just the right photo and picking the perfect font. And when you hit “publish” and launched your virtual presence it was likely a moment of joyous trepidation. Then you hopefully relaxed and let your website chug through the internet cosmos.

But have you gotten too relaxed?
​
When was the last time you perused your own website? Is the photo for your Facebook page looking nothing like you anymore? Or as Amanda’s son smartly pointed out, is your site just looking a little "old fashioned."

Your craft goal this month could be to revamp your social media presence. 
​

​Tips to Guide Your Revamp: 
• Replace an old headshot with a current picture. 
• Did your initial website excitedly announce the upcoming launch of your new book, but now that book has been out in the world for years?
• Make sure your bio is up to date. 
• Have you received accolades, awards or maybe just pictures of kids enjoying your work? Make sure your site reflects those achievements. 
• Are you proud of a class you took, group you joined, or conference you attended? Pop a logo from the hosting organization on your site.
• Does your copy need a little polishing and should you lob off a few “darlings”? Or -eek – did you spot a typo! Like the skilled writer you are, revise, revise, revise.
• Check your links! Make sure all your in-site links shuttle users to just the right place. 
• Many folks view websites from their phones. Does your site holdup when perused from a phone? 
• Finally, ask for feedback from writing friends and your community to make sure your site looks visually modern, is user friendly, and takes advantage of new technology. 
​ 

​Good luck with your own social media refresh. If you are a member of 24 Carrot Writing, we invite you to add our new logo to your website.