~ Reviewed by Amanda Smith​
 
Mary’s Monster tells the story of a young girl whose loving home is turned into an oppressive prison by a jealous step-mother. After two years’ exile to Scotland, where she finds love and acceptance, she is called back to London to help in her father’s bookstore. Her mundane home life is interrupted when she meets a charismatic poet. The poet, sixteen-year-old Mary, and her younger step-sister run away together and travel through Europe and eventually back to England.

Mary experiences beauty, freedom, and life. She sees the destruction of man and war. She meets unbearable challenges, heartache, and abuse. And through it all she fights circumstances, society, and mental illness for the right to live with, and love, her poet. Her struggles and darkest moments lead to the discovery of her own voice and her defining work.

Mary’s Monster is the tormenting story of a remarkable young woman. It is also the biography of Mary Shelly, author of the iconic Frankenstein, and wife to poet Percy Bysshe Shelly. Seeped in extensive research, Mary’s Monster leads the reader through the events and places that formed Mary Shelly and gave birth to Frankenstein.

Just as Mary Shelly invented the modern science fiction novel, Lita Judge shatters genre boundaries by bringing us a biography that reads like a YA novel, in free -verse, accompanied by magnificent, haunting illustrations. “Like a picture book, it is a dance between words and art, in which each medium takes a turn telling the story and the two become inseparable,” Judge explained.

Mary’s Monster would serve as an excellent companion text to any high school student studying Frankenstein, but the book is so much more than a biography and educational tool. It is a stirring story, transporting the reader to a different time, yet carrying themes (such as first love, struggles with parents, and mental health issues) with which most young adults can identify today.

On Writing:
Mary’s Monster is masterfully crafted in so many ways. The structure of the book is tight and purposeful, reflecting the multiple points of view of Mary Shelly’s Frankenstein. It is divided into nine parts, echoing the nine months it took Mary to write Frankenstein. Quotes by Percy Bysshe Shelly, Mary Wollstonecraft (Mary Shelly’s mother), and Mary herself introduce each part and lend to the authentic voice of the book. There is a mindfulness in every aspect of this book, including the placement of art.

In fact, the amazing interplay between art and text is something never before seen in a biographical novel. The artwork draws the reader in, accentuates the action and emotion in the verses, and adds atmosphere and tone, as well as symbolism. It is just as important a story telling device as the writing.

Lita Judge consistently, yet with subtlety, builds on themes central to Mary’s life and her creation of Frankenstein (such as rejection, love, death, women’s rights) throughout the book. With clever foreshadowing and striking word choice, she leads readers through Mary’s journey of self-discovery.

However, the most brilliant part of this book, is Judge’s decision to weave direct quotes from Mary Shelly’s journals, and from biographies written about her, into the verse. This is done seamlessly and adds authenticity to the voice (The reader may find the quotations when perusing the back-matter.)

Biographies, or the genre that Frankenstein belongs to, might not be every reader’s cup of tea. But the illustrations and human drama of Mary's Monster will compel the biography adverse, non-horror genre reader to grab this book. In doing so, readers will not only learn about Mary Shelly, her life and her challenges, but also about themselves. Mary’s Monster urges readers to reflect deeply on how the world has changed for young women. And the many ways it has not.
 
 
For more information on Lita Judge, visit her website at https://www.litajudge.net/
To learn more about her process in creating Mary’s Monster, and the significance of the art, read https://www.litajudge.net/mm_timeline/
 
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~by Amanda Smith

Noah is a pretty typical middle schooler. He attends a small school where everybody knows everybody’s business, and the biggest news is who’s kissing who behind the storage shed. Yet, in Noah’s family, the Thing That Happened silently rules their household and interactions. As Noah’s sister, Emma, becomes increasingly controlling about food, Noah notices signs that The Thing is happening again, but his parents’ denial and efforts to keep Emma from relapsing cause Noah to suppress his own concerns. He frustration grows as his best friends bicker and fall out over, what seems to Noah, insignificant issues, while his family is unraveling.

STILL A WORK IN PROGRESS (2016, Candlewick Press) explores eating disorders and their effect on family members from a sibling’s point of view. Noah’s love and concern for Emma contrasts with his inability to understand why she makes herself sick, and his anger at her for doing so. Knowles illustrates these conflicting emotions in Noah’s response towards Curly, the school cat, who is, like Emma, stressed, frail, vulnerable and adored.

With a gentle touch, spots of bright humor, an interesting cast of secondary characters, and a loveable, believable main character, this thoughtful novel will have readers laughing out loud while reaching for the Kleenex. With empathy, Jo Knowles shows us the devastating effect of depression and eating disorders on families, while emphasizing the importance of relationships (with friends, parents, teachers, and pets) in times of crises.
 
On Writing:
Jo Knowles has a wonderful ability to reveal character in bite-size bits. When she first introduces a new character, she gives a short description, but builds on that description throughout the novel. This mirrors the little-bits-at-a-time way in which we get to know people in the real world, and results in readers feeling as if they’re gaining a circle of new friends.

In STILL A WORK IN PROGRESS, Knowles also employs the animal characters in various ways. They are not just pets, but Curly and Captain offer comic relief, evoke empathy, and drive home points about characters and events in the story.

In the same way, food is used throughout the novel to convey emotions, illustrate differences, build tension, amp-up turning points, and reveal aspects of Noah’s character. Using food as a device in a novel about eating disorders is pure Jo Knowles brilliance!

To learn more about Jo Knowles and her books, visit her website www.joknowles.com/
In this video clip, Jo talks about the inspiration for the hilarious chapter titles for STILL A WORK IN PROGRESS.

~ Review by Amanda Smith

Some books blink on writers’ radars long before they become common knowledge.  These books show up in a plethora of kidlit groups; in Harold Underdown’s posts with comment threads as long as my arm; and on agents’ wish lists. MS. BIXBY’S LAST DAY (2016, Walden Pond Press) is one of those books, and so, when it finally appeared on my library shelf, I expected literary greatness. I expected my need for boxes and boxes of Kleenex. It absolutely exceeded those expectations. What I did not expect was the laugh-out-loud humor. I’m not talking a giggle or a guffaw here. More than once I exasperated my family with outbursts of knee-slapping laughter. John David Anderson’s sharp humor is exactly what this book needed to balance the heart-wrenching story.

Ms. Bixby is that one teacher, that if you were really lucky, you had the honor of knowing. A Good One. The teacher who really sees you, the one for whom you want to be your very best, the one who makes even the boring stuff fun. And Ms. Bixby has cancer. In fact, she is so sick that she cannot even make her Last Day party at school.

But Brand, one of her sixth graders, still has something important left to say to her. He enlists his friends, Steve and Topher, to help him follow through on his plan to give her the perfect last day, not realizing that both his friends need to see to her as much as he does. Because, just as she saw him, she saw each one of them.

Told in three alternating first person narratives, the voices of the three boys, Anderson takes us along on their mission. Snippets of information about each character are carefully unpacked through what these characters show of themselves, and what they know (and don’t know) about their two friends. We get to know their strengths, insecurities, family life and what Ms. Bixby means to each of them, both from the character’s own point of view, and the others’ points of view. We see how they individually, but with the help of their friends, overcome their respective major obstacles, making it possible for them to bid Ms. Bixby goodbye.

MS. BIXBY'S LAST DAY left some hilarious images burned in my mind forever – I will never look at cheesecake the same way. It has given my son and me some precious shared quotes like “I was in the basement, eating a body”… “Biscotti”. But more than that, MS. BIXBY'S LAST DAY reminded me to see my children and my students; to recognize everyone has a back story, or a struggle; and to see things through no matter what.

On Writing:
John David Anderson is masterful at showing instead of telling. He never tells the reader outright what the characters’ struggles are, but he meticulously unfurls each character until the reader has a complete picture of Band, Steve, Topher, Ms. Bixby and the supporting cast.

MS. BIXBY'S LAST DAY is also a study in voice. Anderson provides an engaging introduction of each character, their voices so distinct, that at the end of each character’s first paragraph, the reader already has a strong sense of each kid’s personality.
“Rebecca Roudabush has cooties, I’m not making this up. We’ve run tests. She came up positive on the cootometer, all red, off the charts.” (Topher, the creative boy with a vivid imagination)
“We found out on Tuesday. I was wearing a red sweater. Not bright red. More of a maroon, like the color of cherries – real cherries, not the ones you find in canned fruit that tastes a little like medicine.” (Steve, the detail-oriented, analytical stats-wizard)
“You can pick your friends, and you can pick your nose, but you can’t pick your friend’s nose. That’s something my dad told me. Turns out … not entirely true.” (Brand, the rough-around-the-edges tough guy who idolizes his dad.)

Don’t you already love these three boys? By the end of the book you will be completely won over, cheering them on to succeed. In true Ms. Bixby fashion. 

 ​Review by Amanda Smith
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Often, in order to help preschoolers make sense of their world, adults organize things into perfectly logical groups. As children grow and learn, they discover the lines between these groups are blurred, and sometimes well-defined groups become barriers. Xander Panda learns a similar lesson when he wants to throw a bear affair, but discovers his friend, Koala, is not a bear. XANDER'S PANDA PARTY (Clarion Books; 2013) is a fun rhyming picture book about inclusivity and what happens when we expand our borders.

Written by Newbery medalist Linda Sue Park and illustrated by Matt Phelan, XANDER'S PANDA PARTY is an attention grabbing read-aloud pleasure. The text dances off the tongue with a happy rhythm and playful rhyme. Flawless, whimsical internal and end rhyme make this book titillating to read, and provide enough silly-factor to satisfy young readers (and listeners).

The humorous, ink and watercolor illustrations further enhance the read. Each animal is illustrated with considered character: Show-off black bear, shy grizzly, an adorable polar bear pair, a cuddly baby penguin, a tower of turtles that will melt your heart, and of course, Xander himself with bucket loads of personality. Young readers will take pleasure at each page turn when they are introduced to new animals, and Xander’s growing party conundrum.
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Xander’s Panda Party is a perfect choice for story time and is definitely one of those books adults won’t mind to read again, and again, and one more time please.