Review by Kelly Carey 

In this lyrical and beautifully illustrated picture book, THE LITTLE BLUE COTTAGE (Page Street Kids, 2020) anticipates annual summer visits from a young girl. Each visit bonds the cottage and the growing girl as she sits in a quiet reading nook, swims with dolphins, and shelters from a wave crashing storm. Families will recognize their own vacation traditions tucked in the pages as this book celebrates the continuation of trips to favorite destinations that are passed down from generation to generation. If your summer plans involve a visit to grandmother’s or a getaway with your own children to a spot you were taken as a child, this is the perfect read-aloud. 

On Writing
In addition to gorgeous and sparse writing, author Kelly Jordan employs writing techniques that make The Little Blue Cottage an excellent mentor text for pacing and tension, and the use of senses.

Each time the girl returns to the cottage, Jordan creates a rhythm for the reader and this page turning beat adds a comfortable pacing to the book. She masterfully breaks this rhythm when the girl skips summer visits, and the result is a wonderful escalation of tension right in the middle of the book. This use of a repeating incident, the girl's visits, and the break from that repeat become a sharp tool for controlling the pacing and tension in the story.

Jordan also uses language to infuse a static house with emotion. The house “whistled and hummed and filled with light” when the girl arrives and from those well-chosen words, we know just how the house is feeling.  When the text shares that the house smelled like "bacon, pancakes and popcorn" the reader will overlay their own experiences with those scents. Use this book to study how Jordan used all five senses to assign emotion and heart to a static main character.

The Little Blue Cottage is the perfect place to explore themes of seasons passing, weather, time, and the cyclical nature of shared traditions. 

To learn more about Jordan Kelly visit her website. 

Review by Amanda Smith

Gary Schmidt did it again! As in Ok For Now, Just Like That (HMH, 2021) takes place directly after The Wednesday Wars and follows a minor character from the Newbury Honor novel in their own coming of age story.

Meryl Lee Kowalski, Holling Hoodhood’s best friend, is sent to a Maine boarding school after a devastating personal loss. Surrounded by shallow, spoiled girls, strict teachers blinded by tradition and decorum, and disturbing news from the war in Vietnam, Meryl Lee battles to keep the Blank at bay.

But she also makes friends: Heidi with her hockey sticks; Mousy Marian (who learns to roar); and Bettey, a local girl employed by the school as serving staff. And Matt Coffin, the boy whose eyes tell Meryl Lee that he knows the Blank too.

And then there is Dr. Nora MacKnockater, headmistress of St. Elene Preparatory Academy for Girls, who inspires Meryl Lee with her assembly speech on the first day of school. There will be Obstacles, Dr MacKnockater said, but the girls should have Resolve. And then they will grow Accomplished. Dr. MacKnockater who can focus her searchlight eyes on Meryl Lee as if she can spot the Blank when it attempts to overcome Meryl Lee. Dr. MacKnockater who takes Matt Coffin in from the streets and helps him face his own dark past when he cannot run from it anymore.

Individually and together, under the protection and wisdom of Dr. MacKnockater, Meryl Lee and Matt resolve to overcome obstacles and challenge the status quo. The reader is swept along on their captivating journey to becoming increasingly Accomplished as they banish the Blank.
 
ON WRITING:
There is always so much to learn from a Gary Schmidt novel. One can get all wrapped up in his beautiful language use and unique turn of phrase. But more than anything else, Schmidt is a master at creating a rich and layered reading experience.

In this novel, he adds layers through different devices:  Just as in The Wednesday Wars and OK for Now, he uses classic literary works to emphasize character traits and showcase character development. For example, Meryl Lee draws parallels from The Wizard of Oz to her own life, while Matt dubs Dr. MacKnockater Bagheera after she reads The Jungle Book to him.
As another layer, Schmidt solidifies setting by weaving paraphrased song lyrics from the sixties through the novel in a delightfully sweet and original way.
Clever repetition, both in close proximity to emphasize emotion or heighten tension, as well as throughout the novel to bring deeper understanding, adds to the layers.
He also uses capitalization of abstract concepts, such as resolve, to make them concrete and real, and give them presence.
And he sprinkles in unexpected moments of laugh-out-loud humor to lighten the heaviness in both Meryl Lee and Matt’s stories.
All of these layers lead to a tight narrative and a truly satisfying read.

Learn more about Gary Schmidt and his books here.