Review by Annie Cronin Romano Scroll (Christy Ottaviano Books, 2023) is a heartwarming picture book about a young girl, Lulu, who is learning calligraphy and Chinese characters from her grandfather. When she practices drawing the Chinese character for “door,” the story takes an imaginative twist as Lulu and her dog, Dumpling, step through the portal and into a village occupied by personified Chinese characters. As Lulu and Dumpling explore, they encounter several friendly characters…and one fiery dragon. Upon “returning home,” Lulu shares her adventure with her grandfather by showing him all the Chinese characters she has practiced drawing. In terms of styling, Hui Li only uses a few traditional full-page illustrations, opting primarily for a graphic novel format with speech bubbles and panels showing the events of Lulu’s adventure as it unfolds. The engaging images feature a palette of reds, browns, and black, selectively adding other colors to reflect the tone and events of the story. This picture book illuminates the beauty and deep connections formed in passing down a culture’s traditions from one generation to the next, as well as serving as an introduction to Chinese writing. On Writing:
Author/illustrator Hui Li blends the nonfiction elements of Chinese characters with a story of imagination and adventure. In the opening paragraph of the story, Li provides a brief history of the origins of Chinese characters. From there, she has Lulu's imagination take over as the text becomes dialogue-only, with speech bubbles capturing Lulu's observations during her daydream. Li--as both the author and the illustrator--goes on to incorporate Chinese characters referenced in the introduction in the enchanting illustrations, showing how the calligraphy characters resemble the objects they represent in Lulu's imaginative world. (For those writers who do not illustrate, illustration notes could be included to denote any desired visual nonfiction elements, and the illustrator could take the lead from there.) A key of Chinese vocabulary at the corners of each page is included so the reader can connect the Chinese character with its depiction in the illustrations. Scroll is a strong mentor text for writers looking to embed a nonfiction concept within a fictionalized storyline. To learn more about Hui Li, visit her website at www.shulululee.com.
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Review by Annie Cronin Romano Some children love the magic of words and books. Others are fascinated by different interests, such as music, dance, animals, or sports. In LEO + LEA, Wesolowska tells the story of a young child, Leo, who is intrigued by numbers. When the chaos and noise of the schoolyard overwhelm him, Leo seeks out a quieter spot to focus on his love of numbers. He is soon joined by his new classmate, Lea, and discovers that he is not alone in his unique interest, for Lea adores patterns and includes them in her artwork. Together they share their intersecting fascination with numbers and patterns with their teacher and classmates and embrace their new friendship. Monica Wesolowska’s debut picture book LEO +LEA (Scholastic Press, 2022) employs sparse, lyrical text, and cleverly uses the Fibonacci sequence as the numbers in the story as she depicts Leo’s blooming interest in math. (And no, I didn’t pick up on that fact on my own—thank goodness for the author’s note!) The illustrations by Kenard Pak are equally evocative and expressive, using subtly increasing intensity in the colors as the story progresses (also inspired by Fibonacci’s sequence as pointed out in the artist’s note). The author and illustrator meld the interaction of text and art seamlessly, allowing each to contribute uniquely to the unfolding of the story’s events. The subtle themes of individuality, friendship, and celebrating all interests comes through clearly yet gently. A delight to read aloud, LEO + LEA is a story that you’ll want to count among your picture book collection. This treasure is also an excellent social-emotional selection for the classroom. (Fiction picture book for ages 4-8) On Writing Monica Wesolowska’s debut picture book (she has written for adults) is a strong example of sparse, balanced, and well-paced writing that takes a unique approach to conveying the importance of recognizing and embracing the interests of all. For more information on Monica Wesolowska’s work, visit https://monicawesolowska.com.
To learn more about Kenard Pak’s work, visit https://www.pandagun.com. Review by Annie Cronin Romano When writers are seeking mentor texts that depict subtle ways to convey a message, the standouts can be challenging to find. There are picture books galore with themes of kindness, understanding, and acceptance, but far fewer that convey those themes with a light touch that permits young readers to experience the sentiment as it's developed rather that have it stated to them. Two recent standouts in the area of nuanced, subtle storytelling are Blanca Gómez's DRESS-UP DAY (Abrams, 2022) and Mac Barnett's JOHN'S TURN (Candlewick 2022). In DRESS-UP DAY, a young girl is distressed to have missed her opportunity to dress up as a bunny for her class' dress-up day because she's out sick. She decides to wear her bunny outfit to school the next day (What could go wrong?) only to find the stares and snickers of her classmates crush her excitement about her costumed appearance. When a fellow classmate shows up wearing his carrot costume, caring not a smidge if the others in the class approve or not, the two enjoy a day of imaginative play. And their peers? They decide maybe costumes and pretend play might be fine any day one chooses and shouldn't have to be relegated to an assigned date. This change of heart is shown (never told) when the other children come to school the next day with dress-up gear of their own. On Writing: With smart, sparse text and evocative illustrations that make the characters' emotions dance off the page, Gómez conveys a message of acceptance and kindness without once stating or summarizing the theme of her story. The actions and illustrations do the heavy lifting but leave the interpretation to the reader. In JOHN'S TURN, it's a young boy's turn to demonstrate his talent during the school's "Sharing Gifts" time. While a few children comment on the unfamiliar music playing before John takes the stage and question what he's about to do, John musters up the courage to perform his ballet routine in front of his school with confidence and pride. The audience of children, after watching the feat of John's impressive dancing, applaud him for his impressive talent. On Writing: In JOHN'S TURN, Barnett never once mentions that ballet is often considered by many to be a female pursuit, nor does he state that the children may be dubious of John's choice of interest. Rather, he lets the children's reactions--from a few snickers to intrigued silence to impressed applause--show how John's talent and passion for ballet breaks down the boundaries of conventional--though outdated--gender norms. Barnett's simple yet strong text--along with expressive illustrations by Kate Berube--gives the reader the space to experience the emotional power of the story without once pointing out the message. Both DRESS-UP DAY and JOHN'S TURN are consummate examples of picture book texts that address themes of acceptance and kindness in a most subtle manner. Review by Megan Litwin You Are a Reader!/You Are a Writer! by April Jones Prince and illustrated by Christine Davenier (Margaret Ferguson Books, 2021) is a book for readers and writers everywhere. Its “two-books-in-one” design cleverly shows that readers are writers and writers are readers, and the acts of reading and writing are all around. From recipes to signs, from thank you cards to songs, there are so many ways to be a reader or writer. With a bouncy beat and lively illustrations showcasing all sorts of creative endeavors, there is an infectious joy to this book. And as a former teacher who was deeply engaged in the joyful work of growing young readers and writers, this book spoke to me like an encouraging classroom mantra. You CAN. You WILL. You already ARE… On Writing: Writers of all ages would do well to read Prince’s pages on being a writer. To begin, she notes the importance of looking and listening well, no matter what you’re doing. “You’re a writer everywhere” is a beautiful (and empowering) statement. She devotes a whole page to her signature “juicy words.” And on that pesky topic of writer’s block, she has a few tricks up her sleeve. Yes…whether a beginning or seasoned writer (or reader), there will be stumbles. But this book makes every writer-reader feel like they have the power to fly. Find out more about April at www.apriljonesprince.com/ and browse Christine's beautiful art at www.christinedavenier.com/ Guest review by Kristi Mahoney In Bear’s Bicycle, written by Laura Renauld and illustrated by Jennie Poh (Beaming Books, 2021) we are reunited with the lovable cast of characters first introduced by this author/illustrator combo in Porcupine’s Pie (Beaming Books, 2018). In this follow-up book, Bear wants to learn to ride his bike for the upcoming Summer Scoot. After multiple trips to the library to find a how-to guide, Bear discovers that doing everything by the book doesn’t always work out. Bear’s Bicycle is an endearing story about practice, perseverance, and the importance of friendship. Add in Jennie Poh’s whimsical illustrations and you have a book that will leave you feeling as warm and fuzzy as bear himself. On Writing:
Laura Renauld’s writing style is delightfully consistent with her original story in this series. It’s filled with things that I personally love in a book and appreciate as a writer: orderly lists, fun-to-say onomatopoeia, distinct voice, and bonus back matter that will delight anyone teetering on whether or not to take on a two-wheeler. And if you happen to fall in love with this woodland cast as fast as I did, you won’t have to wait long to see more of them. Cruise on over and pencil in the release date of the third book in this series, Squirrel’s Sweater (Beaming Books, anticipated September 21st, 2021). To learn more about Laura visit here. ~Review by Amanda Smith Go with the Flow (First Second, 2020) is written and illustrated by Lily Williams and Karen Schneemann, co-creators of the online comic series The Mean Magenta and is the book I wish I had when I was a teen. Brit, Sasha, Christine and Abby are four sophomore friends, who share laughs, rides, cookies and quiet conversations about their struggles with their periods. These four girls could not be more different in ethnicity, body types, personalities, and menstrual experiences, which makes this book super relatable to its YA audience. (No one-note, perfect, fictional girls here!) Upbeat Abby, fierce defender of women’s rights, decides to address the lack of feminine products in their school’s bathrooms after Sasha has a period emergency. Her passion and determination to be heard leads to hurt feelings, teetering friendships, and important lessons about listening. Brit deals with excruciating cramps that forces her to miss several days of school per month. She has to face well-meaning but clueless male teachers, and experiences anxiety about what might be wrong with her. Go with the Flow also addresses other teenage topics such as boys (the nice ones and the “fart bags”), sexual identity, generational and cultural gaps, activism, and kindness, without ever being preachy. This YA graphic novel, filled with interesting facts throughout and containing oodles of relevant backmatter, is geared towards a more mature audience. However, it is a must-read, helping teens feel more comfortable about their changing bodies, and opening their eyes to what peers might be experiencing. Readers will recognize themselves within these pages, and all the characters will inspire them to be their best selves. On Writing: Bravo for bravery! Lily and Karen unabashedly tackle a subject that has been dubbed as “inappropriate” and “gross” for generations. In Abby’s words “you know, the patriarchy, and all that (barf)”. They deliver a plot focused on the menstrual cycle with lots of heart and tons of humor. They give the reader relatable characters, who feel as real as flesh-and-blood friends. They sprinkle thought-provoking ideas and acts of kindness throughout, educating and arming their readers with knowledge, courage, and hope. If you are feeling hesitant about your own work in progress with “taboo” themes, study Go With the Flow for a dose of daring. Browse the original Mean Magenta comics here: themeanmagenta.com/ Learn more about Karen at www.karenschneemann.com/ To learn more about Lily, visit lilywilliamsart.com/ ~ Guest Review by Megan Litwin In What If, Pig? by Linzie Hunter (HarperCollins, 2021), we meet Pig and Mouse, and a supporting cast of colorful, cheerful animal characters. Pig is so kind and fun and generous that one day he decides to throw a party for all his friends. But Pig is also a worrier. A tremendous worrier. He worries that the party is a terrible mistake. A series of “what if” worries follow and spiral out of control. (Sound familiar, anyone?) Fortunately, Pig has good friends…friends who, as it turns out, sometimes worry too. The vibrant, colorful art and dynamic font that mimics Pig’s growing anxiety are perfect complements to the snappy text. What If, Pig? is a thoughtful book about friendship and kindness, worry and wonder. And a timely one too. As the world keeps changing and as perennial back-to-school worries crop up, this book offers a gentle springboard for discussion. On Writing:
Purposeful repetition can be a powerful tool in picture books, and Linzie Hunter does a fabulous job playing with repetition in her text. The use of “what if” as a sentence starter throughout the book, and also in the title, gives this a rhythmic hum, a predictable beat. But not too predictable. Hunter continually surprises the reader by changing the nature of the “what if” and the meaning behind it. “What if” thinking can be worrisome and negative, but it can also be wonderous, hopeful, and full of positive possibility. What if you read a book that warmed your own sometimes-worrisome heart so much that you told everyone about it? What if? You can learn more about Linzie Hunter here. Review by Annie Cronin Romano MEL FELL (Balzer & Bray, 2021) is a delightful picture book about a baby kingfisher who takes a leap—much to the chagrin of her brother and sister—and learns how to fly...by falling. It’s a story about trying new things and trusting the process, and young readers take the leap with Mel as she falls down, down, down, all the while letting her instincts be her guide. Mel’s nature neighbors all try to help, but Mel can sense this is what she needs to do, and her intuition does not steer her wrong. Cheerful, engaging illustrations heighten the upbeat energy of this story. On Writing Tabor incorporates light visual humor and tightly written text (the word count is under 300 words including speech bubbles/asides) to convey a message about trusting your instincts and learning to spread your wings. He avoids the trap of explaining or naming the message of his story. Rather, he allows Mel’s adventure to do the heavy lifting and trusts his young readers to glean their own take-away from the young bird’s experience. This picture book is a strong example of conveying a message in a completely non-didactic manner. A true mentor text for concise, subtle writing. To learn more about Corey R. Tabor, visit his website at www.coreyrtabor.com. ~ Review by Amanda Smith The only thing Maggie wants for her birthday is a puppy. Her twin brothers have one another to play with and her parents are busy preparing for the new baby. Maggie knows her very own dog will be her best friend. But when she finds the perfect puppy at the shelter, she also finds out she is allergic to dogs. Extremely, land-in-the-hospital allergic. To any animal with fur or feathers. Maggie often feels excluded and jealous of friends who can have pets. She feels guilty because her classroom hamster had to move to a different class due of her allergies. Even though she is getting allergy shots, the process is long and does not offer immediate relief. Her friend Claire, who doesn’t really understand the seriousness of Maggie’s allergies, tries to help, and her solution leads to even more problems and heartache. Throughout Allergic (Graphix, 2021), Maggie learns the challenges and limitations of living with allergies. But she also learns to be a better big sister, and that she is very much needed, wanted, and loved as part of her family. Allergic gives a voice to children dealing with allergies, or help them understand friends with allergies. Many allergy sufferers feel, like Maggie, helpless, and are sometimes left out because of something completely outside their control. Without being didactic, Allergic explores these emotional challenges, along with themes of friendship, family, and what it means to belong. On Writing: The graphic novel format is the perfect vehicle for this story. Intertwining visual and written storytelling, Lloyd and Nutter delivers the scientific and medical information in bite-size pieces that are interesting and relatable to young readers. Through a combination of art and text, reoccurring themes are strengthened. ALLERGIC is a great study of the dance between illustration and words, even in books for older readers, and how both these aspects enhance story-telling. To learn more about Megan Wagner Lloyd visit meganwagnerlloyd.com/. You can find more of Michelle's fabulous art at michellemee.com/. Review by Annie Cronin Romano FROM THE DESK OF ZOE WASHINGTON (Katherine Tegen Books, 2020) is a delightful mix of mystery and cupcakes! When Zoe, who dreams of becoming a famous baker, receives a letter from her incarcerated father on her 12th birthday, she finds herself determined to prove the innocence of this man she's never met. Her mother, however, wants Zoe to have nothing to do with her dad, so Zoe must sneak around in her efforts to correspond with her father and uncover the truth. A novel about the power of hope, forgiveness, and believing in others. On Writing Janae Marks takes a difficult subject (isolation from a parent) and makes it accessible to young readers in a gentle yet direct manner. Her handling of the father’s incarceration is presented thoughtfully, and the novel address faults and injustices in the legal system using an approach middle grade readers will understand. FROM THE DESK OF ZOE WASHINGTON is a solid mentor text for presenting social issues in an accessible, skillful way. The parallel plot of Zoe’s love of baking is seamlessly woven in with her pursuit to prove her father’s innocence, making this novel a prime example of how two strong parallel plots can work together to add dimension to the novel while simultaneously moving the main character’s story forward. To learn more about Janae Marks’ work, visit her website at www.janaemarks.com. |
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