So this happened last week: I was tucking my youngest in with a story, when my middle schooler came into the bedroom, saw the book we were reading and exclaimed, “That book is so good!” He looked at me with puppy-dog eyes, so naturally we scooted up and made room for him. Shoulder to shoulder the three of us read, giggled, repeated the chorus, and laughed at the unexpected.
RAGWEED’S FARM DOG HANDBOOK(LEARN FROM THE BEST!) by Anne Vittur Kennedy (2015; Candlewick Press) is everything a picture book is supposed to be. Ragweed is a quirky, long-snouted, googly-eyed farm dog with an overbite and an over-eager desire for biscuits. Ragweed gives directions on how to be a farm dog in this instruction manual gone awry. Using dog logic, this mischievous mutt breaks all his own rules and even reveals his alliance with the fox!
Ragweed’s rules are superbly written from a dog’s point of view, which adds to the hilarity. Lines such as “Mud is lovely. It smells like worms and toes and earwax,” or “But you will throw up a biscuit, and you can eat that one again,” makes it impossible to read this book with a straight face. 

Enjoyable and entertaining for both children and adults, RAGWEED’S FARM DOG HANDBOOK(LEARN FROM THE BEST!) has a conversational style that makes it a perfect read-aloud book. It has supreme re-readability. A pattern is set up early in the book, and then, through Ragweed’s quirky character, the predictability of the pattern is broken down. However, the author retains the repeating chorus, “That’s their job. That’s not your job”, which kids love to read along.
On Writing:
RAGWEED’S FARM DOG HANDBOOK(LEARN FROM THE BEST!) is an excellent mentor text for point of view and voice. Even though Ragweed provides information for children such as chickens lay eggs and sheep grown curly hair, the information is always given from a dog’s point of view. This makes the information fresh and funny. As humans are concerned, Ragweed is an unreliable narrator, but his voice is spot-on and consistently that of a very honest dog.
Ragweed’s authenticity will, at times, gross readers out and his practicality will make them howl with laughter. He is such a lovable character, though, that we will forgive him everything and reward him with a biscuit!
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~ by Annie Cronin Romano

Rodeo Red has a hootin’ good time down on the ranch with her loyal stuffed dog, Rusty. But when a new rancher, Slim, shows up on her land and takes a liking for Rusty, Rodeo Red must figure out how to get Rusty back without displeasing mom, the Sheriff, and dad, the Deputy. 

Maripat Perkins’ debut picture book takes a simple yet honest look at the conflict that can build up for an older sibling when a new baby enters the picture. Using humor and delightful cowboy jargon, Perkins’ RODEO RED (Peachtree Publishers, 2015) is sure to delight children, particularly those who may have a younger brother or sister. The story is beautifully illustrated by Molly Idle (Flora and the Flamingo), whose muted earth toned illustrations flawlessly capture Red’s range of emotions. Perkins and Idle take the reader on an amusing, clever adventure with pictures and text that readers will enjoy over and over again. Toss your lasso around RODEO RED, geared towards children ages 4-8, and get your cowboy drawl on!
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On Writing:
Perkins’ text is rich and entertaining. RODEO RED a solid example of how to use dialect and wordplay in a lively, engaging manner. 

~by Amanda Smith

I THOUGHT THIS WAS A BEAR BOOK, by Tara Lazar (Aladdin/ S&S, 2015) is a fractured fairy tale in which Prince Zilch, an alien from Planet Zero, tumbles from his own book into the story of Goldilocks and the Three Bears. Prince Zilch is in a hurry to return to his book, and the grown-up bears are all too eager to help him along so they can get on with their blueberry picking (“We really cannot eat porridge again.”) Hilarious onomatopoeic solutions ensue, with increasingly disastrous but side-splitting results. Finally, it is Baby Bear who comes up with an unexpected solution while the adults are snoozing.

Benji Davies’ colorful illustrations are dynamic. From the pink smoke puff swirl on the title page, to the whooshing catapult, to Mama Bear hanging from a tree branch the illustrations provide movement that makes this picture book feel like a cinematic experience. Each page is brimming with snigger-inducing details and the bears’ facial expressions are a hoot.

Add to the illustrations Tara’s comedic style, smart word play and party on your tongue vocabulary and you and your kids are in for an uproarious story time.

On writing:
In this book, Ms. Lazar plays with a lot of different techniques. She breaks the fourth wall early on, which makes the ending believable. She calls on her readership to participate, making the book interactive. However, for me the most successful technique is the use of speech bubbles as I THOUGHT THIS WAS A BEAR BOOK is completely written in dialogue. This makes for wonderful read-together moments.

Sometimes I shy away from these types of books for read-aloud as it is harder for kids to follow who is speaking. Not so with this book. Ms. Lazar has written each character’s dialogue so distinct from the others they sound completely different even if you don’t add funny voices. Prince Zilch is all about urgency and exclamation points! Mama Bear is honey sweet, though a bit dense, Goldilocks is pure snark and Baby Bear… Baby Bear is a little voice with big ideas who just wants to be heard. And that is something with which all Ms. Lazar’s young readers can identify.

Click here to read our interview with Tara Lazar.

by Kelly J Carey

I remember a preschool mother coming out of a teacher conference annoyed that the word “shy” had become a bad label. Her daughter was shy, but she was a happy shy child. In Alicia Potter’s book, Miss Hazeltine welcomes the shy cats of the world and while she gently helps them with lessons like “How Not to Fear the Broom”, she doesn’t “mind if some cats only watched.” It is perfectly fine to be shy and fearful at Miss Hazeltine’s home.

With humor and giggle worthy illustrations, Miss Hazeltine’s home proves to be a safe place free of judgment and full of encouragement and love. Miss Hazeltine even shares her own fears: mushrooms, owls and the dark.  A mishap during a milk run finds Miss Hazeltine face to face with all three!  With a charming loop back to the lesson’s Miss Hazeltine has taught them, the cats set out on a rescue mission. The feared broom even comes into play.

This story is as much about growing and being brave as it is accepting who we are and being happy with ourselves.   Share this book with children who may be shy or fearful and you may hear a gentle purr of contentment.

Writing

Potter does a wonderful job of creating loops in her story. Miss Hazeltine’s shared fears come back to haunt her, the lessons she taught the cats become necessary for her rescue and yet the cats solve the final problem without the help of the adult in the story.

Potter executes a complete story arc with sweet humor, and quiet wit; perfect for skittery cats. Her lovely lesson is so neatly tucked into the story about Miss Hazeltine and the shy cats that it will curl into the readers lap without them even realizing it.  

I’ve read it again and again – and I'm allergic to cats!

ACHOO!

Picture Book

A disagreement erupts between two critters regarding who is big and who is small. The adorable characters learn that everything is relative when two more creatures—one bigger and one smaller—stomp and drop into the middle of their debate. Author Anna Kwan uses minimal text in a magically engaging way, highlighting basic concepts and opposites in her delightfully humorous story. Illustrator Christopher Weyant’s use of simple, fun illustrations and white space makes the banter pop off the page.

YOU ARE (NOT) SMALL is picture book for children ages 3-6. This story is a snappy, charming read-aloud you’ll enjoy sharing with your little one again and again.

On Writing:
Kwan’s artful use of sparse text delivers punch and rhythm to her story. YOU ARE (NOT) SMALL is a strong example of how, in picture book writing, less is often more.  
~Annie Cronin Romano