Review by Annie Cronin Romano After couples marry, most go on a honeymoon to enjoy time together--just the two of them--before returning to the business of everday life. But what about when a baby is born? The arrival of a new little one is often paired with pressure to share every moment, be it through social media or a constant flow of visits from relatives and friends. Amidst the excitement, the importance of having new family time is often lost. This need to take time to bond as a family is the focus of Hayley Barrett's debut picture book, BABYMOON (Candlewick, 2019). A couple and their newborn are depicted, cherishing each moment and learning from first experiences, joys, doubts, and amazements. In BABYMOON, Barrett's lyrical text is warm and reassuring. The value of taking a "babymoon" to spend quality time together with your little bundle is lovingly highlighted with a sweet, lulling rhythm. Juana Martinez-Neal's illustrations, using smooth, curved lines and a neutral pallet of yellows and browns, are as soft and cozy as a baby's blanket. Visually soothing and with text that hums like a sweet lullaby, BABYMOON is one picture book every new family should hold close to the heart. (Fiction picture book for ages 2-5) On Writing Hayley Barrett’s debut is a strong example of sparse, lyrical text with stunning impact and beauty. For more information on Hayley Barrett’s work, visit https://hayleybarrett.com/about-hayley/. To learn more about Juana Martinez-Neal's work, visit her website at http://juanamartinezneal.com/.
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Review by Francine Puckly This book pick begins with a disclaimer—all of us at 24 Carrot Writing have been intimately involved with Annie Cronin Romano’s debut picture book, Before You Sleep: A Bedtime Book of Gratitude (Page Street Kids, 2018). This included reading and critiquing numerous drafts as Annie journeyed with this story from rhyme to free-verse and back again. Despite that by the very nature of our involvement we are biased toward this story, this picture book is an enchanting, rhythmic and comforting story about tucking in one’s senses before dropping into the night’s slumber. Annie gently takes the readers and young listeners of the story through the sounds, scents, tastes, sights, and touches experienced during the day. Ioana Hobai’s soft and luscious illustrations add to the calming effect. Before You Sleep is a perfect way for helping little ones mentally wrap up their day and establishing a bedtime mindset. This book will delight young readers and parents alike! On Writing:
Annie’s voice is lyrical, and she evokes emotion and response with her careful word choice. She shows in this manuscript how important it is to make every word count. In addition to thoughtful, tight text, Annie uses unexpected experiences to highlight these senses, bringing a new experience to her readers. Review by Annie Cronin Romano I haven’t come across too many newly-published folktales these days, but HOW THE FINCH GOT HIS COLORS (Familius, 2018) is one that hit the shelves earlier this year and is among the bright spots of recent picture book releases. Using a traditional folktale style, author Annemarie Riley Guertin depicts how the world and its creatures transformed from a monotone appearance to a brilliant expanse of color. Guertin mixes magical storytelling with just a touch of a moral in this narrative inspired by a Belgian folktale. The folk-art illustrations, beautifully done by Helena Pérez García, start off the book in muted tones of gray, black, and brown and transform into a brilliant kaleidoscopic palette. Parents and teachers will love this book for working double duty as both an engaging story and a reinforcer of color concepts. HOW THE FINCH GOT HIS COLORS, a fiction picture book for children ages 4-8 years old, is an ideal addition to bookshelves both in the home and the early elementary classroom. On Writing Annemarie Riley Guertin’s story is a solid mentor text for those writers interested in the folktale style. The language is engaging, rich, and vivid yet accessible to younger readers and listeners. To learn more information about Annemarie Guertin’s work, visit her website at www.annemarierileyguertin.com. For info on Helena Pérez García's work, visit her website at www.helenaperezgarcia.co.uk/. Review by Annie Cronin Romano I have been reading nonfiction picture books more and more often these days. Most have been biographies, but this week I read a nonfiction science picture book, SALAMANDER SKY (Green Writers Press, 2018), that shares a different kind of experience: the springtime migration of the spotted salamander. Through the eyes of a young girl, the reader sees her excitement about witnessing the salamanders’ night journey and her determination to help keep them safe on their travels. Author Katy Farber uses a narrative writing style to share information about the spotted salamander and the reason for its migration. These scientific facts are folded neatly into the narrative in a manner easily relatable to children. Using soft, appealing illustrations, illustrator Meg Sodano captures the story-like presentation without sacrificing detail. SALAMANDER SKY is an ideal addition to elementary classrooms and complements several areas of the science curriculum. Young ones will be grabbing their flashlights and begging to scout out the spotted salamanders on rainy April nights! And any book that can spark that interest in a child is worthy of a spot on the bookshelf! SALAMANDER SKY is a nonfiction nature picture book for children ages 4-8 years old. On Writing By telling the story from the perspective of a young girl, Katy Farber makes this nature topic appealing to young readers and students. The portrayal of the child helping the salamanders safely navigate back to the water gives children an understanding of the importance of conservation and a knowledge that they can make a positive difference in the lives of nature’s creatures. For more information on Katy Farber’s work, visit her website at www.katyfarber.com. For info on Meg Sodano’s work, visit her website at www.msodanoillustration.com. Review by Annie Cronin Romano In CLAYTON BYRD GOES UNDERGROUND, Clayton is devoted to two things: his grandfather and his blues harp (no, it’s not a harmonica!). All Clayton hopes for is a solo with the Bluesmen, the group his grandfather and Clayton perform with in Washington Square Park. So when Clayton’s grandfather, Cool Papa Byrd, dies unexpectedly, the soulful melancholy of the blues songs he played becomes all too real. Devastated by his mother’s insistence to rid their lives of all things that remind her of Cool Papa, Clayton takes off in search of the Bluesmen, certain that when he finds them, they’ll take him under their wing and mentor him musically as his grandfather did. And he’ll finally get that solo he’s wanted to play so badly. But life on the run has other plans for Clayton, and his harrowing adventure opens up problems Clayton never dreamed he'd encounter. Throughout the story, Rita Williams-Garcia tenderly and skillfully navigates the emotions Clayton experiences as he struggles with the sudden loss of his grandfather and the resentment he feels towards his mother, who wants to bury Clayton’s love of the blues right along with Cool Papa. CLAYTON BYRD GOES UNDERGROUND (Amistad, 2017) is a middle grade novel for children ages 8-12. This beautifully written story reads like a blues score with language that captures the very spirit of the music it features. On Writing Rita Williams-Garcia explores the complexity of losing a loved one from the child’s perspective while also depicting the contrasting experiences of the parent. Written in third person, CLAYTON BYRD GOES UNDERGROUND does not shy away from the difficult topic of death; it seamlessly weaves the sadness of loss with the joy of how a person’s impact can keep shining even after he's gone. The characterization is strong, and the wailing tones of a blues melody are captured in every line, making it a laudable example of using linguistic style to elicit the tone of a story. Rita Williams-Garcia is the bestselling author of many award-winning books, including One Crazy Summer and P.S. Be Eleven. For more information on her work, visit her website at https://rita-williamsgarcia.squarespace.com/. Review by Annie Cronin Romano I must admit, I don’t gravitate to the nonfiction shelves of the children’s section very often. But recently, I’ve been checking out an increasing quantity of nonfiction biography children’s books to read as mentor texts for a project. And it has been an amazing journey of discovery! Why hadn’t I lingered around those children’s nonfiction shelves more in the past? There are some fascinating and well-written books there! It was difficult to choose just one title for my book pick this week. Fear not! I narrowed it down and selected the inspiring picture book biography I DISSENT: RUTH BADER GINSBURG MAKES HER MARK (Simon & Schuster Books for Young Readers, 2016), by Debbie Levy. Levy not only highlights the life events and remarkable career of Ruth Bader Ginsburg, but she also brings light to the importance of fighting for equality and pursuing your passions in life no matter the odds. Told in relatable language, which include some of Ginsburg’s school-aged experiences and feelings that most children are sure to relate to, Levy shares with energy and light humor the story of the first Jewish woman (and second woman overall) to serve as a justice on the United States Supreme Court. Elizabeth Baddeley’s spirited illustrations and bold use of text illuminate I DISSENT in a manner certain to draw in young readers. The writing and the illustrations work together to convey the vital message that disagreement doesn’t have to be mean-spirited, and voicing your own beliefs can lead to worthwhile outcomes. I DISSENT: RUTH BADER GINSBURG MAKES HER MARK is picture book biography for children ages 4-8 years old. On Writing With I DISSENT, Debbie Levy has written a strong, inspiring biography which is accessible and interesting to young readers. Far more than a timeline or string of factual events, I DISSENT tells Ruth Bader Ginsburg’s story with heart and personality. This makes the biography relatable, especially to children who may feel their dreams are beyond possibility. For writers, it is a strong mentor text for picture book biographies as Levy covers the the major events and shaping influences of Ginsburg's life without the story feeling watered down, and she tackles sensitive topics in a kid-appropriate manner. For more information on Debbie Levy’s work, visit her website at http://debbielevybooks.com. For more infomation on Elizabeth Baddeley’s work, visit her website at http://ebaddeley.com. Review by Annie Cronin Romano If your children enjoy adventure and a hearty laugh, then get your hands on IT’S NOT JACK AND THE BEANSTALK (Two Lions, 2017) for a new twist on the classic fairy tale. In this latest picture book by Josh Funk, Jack questions the narrator at every turn, challenging the storyline and often going off-script. In the process, the narrator’s attempt to tell the traditional version of the story is turned upside down by the feisty and strong-willed boy. These twists, and the sassy interactions that ensue, create a funny, high-energy story that children will want to hear (or read) again and again. Edwardian Taylor’s bright, lively illustrations paired with fun cartoon speech bubbles capture the spunk of the story and add humor beyond the text. The perfect read-aloud, IT'S NOT JACK AND THE BEANSTALK will engage young readers with vibrant images and clever storytelling. IT’S NOT JACK AND THE BEANSTALK is picture book for children ages 4-8. Pick up this witty story for guaranteed giggles! On Writing IT’S NOT JACK AND THE BEANSTALK is a strong mentor text for fractured fairy tales and meta-fiction (breaking the fourth wall). Funk blends the traditional story with modern attitude and language to create an amusing clash between the narrator and the main character. For more information on Josh Funk’s work, visit his website at www.joshfunkbooks.com. For info on Edwardian Taylor’s work, visit his website at www.edwardiantaylor.com. Review by Annie Cronin Romano In THE HIDDEN MEMORY OF OBJECTS, Danielle Mages Amato’s debut young adult novel, fifteen-year-old Megan Brown’s brother has just died, supposedly from a drug overdose. Megan is confused and angry, insisting the Tyler she knew never would have taken his own life, let alone used drugs. When the police start digging further into the circumstances surrounding Tyler’s death, Megan sees the memory of the brother she adored being defaced before her eyes. A talented collage artist, she turns to Tyler’s possessions to find comfort. In the process, she discovers she has an ability to “see” the memories held in those objects. It is a talent that causes Megan much upheaval and pain—literally—and takes her and two friends, Eric and Nathan, on a journey which generates more questions than answers about her brother’s life. Megan’s devotion to the brother she loved clashes abruptly with the betrayal she feels as she uncovers a side of her brother she never knew existed. In her attempt to makes sense of her newfound visions, Megan enlists the assistance of an artifact historian, Dr. Brightman, who specializes in "murderabilia"—and may have a few secrets of his own. As she seeks the truth about Tyler’s death, Megan learns there is far more to people than can be seen on the surface, even those she thought she knew the best. THE HIDDEN MEMORY OF OBJECTS, a contemporary young adult novel with a dose of paranormal, grabbed me from chapter one. Megan was a believable, likeable character, and her relationships with Eric, a close classmate, and Nathan, a friend of her brother’s whom she doesn’t recall meeting, add nice dimension to the plot. THE HIDDEN MEMORY OF OBJECTS blends family bonds, mystery, a touch of romance, betrayal, corruption, paranormal abilities, and history into an engaging, multifaceted journey. This beautifully written story kept me turning the pages long after I should have turned out the lights! On Writing Amato’s character development is strong, as she skillfully uses her characters' dialogue and actions to build their personalities for the reader. There is no info dumping here. She delves into the complex emotions that can arise with the tragic, unexpected loss of a loved one and portrays them in a believable manner throughout the story. Contemporary and paranormal genres are blended seamlessly, and every scene and character contribute to the movement of the tightly woven narrative. For more information on Danielle Mages Amato’s work, visit her website at www.daniellemagesamato.com. A review by Annie Cronin Romano Set over a ten-month span during World War II, Lois Sepahban's PAPER WISHES follows ten-year-old Manami and her family as they are uprooted from their home on Bainbridge Island, Washington, to the Manzanar Japanese relocation camp in California. Manami is devastated by this move, particularly when her beloved dog, Yujiin, is not allowed to go with them. The emotional trauma of the move and internment causes Manami to go mute. Unable to verbally communicate, Manami turns to drawing and painting as a means of expressing herself. In her efforts to bring Yujiin back to her family, Manami sends some of her artwork up into the winds in the form of paper lanterns, hoping Yujiin will sense her wishes and find her again. Sepahban thoughtfully and vividly depicts the confinement of Japanese-American families through Manami’s eyes. Told in the first person, PAPER WISHES skillfully captures Manami’s fears and hopes while strikingly depicting the pride and beauty of her family’s traditions, commitment to one another and, ultimately, Manami’s bravery. PAPER WISHES, a middle grade novel for children ages 9-12, unfolds like a fan into a rich canvas of devotion and courage. Do not let PAPER WISHES pass you by! On Writing Lois Sepahban delves into the tensions of wartime mistrust with tenderness and spare yet vividly poetic language. The novel is structured so that each chapter depicts one month, beginning with March and ending in December. The great emotional distance travelled by Manami and her family during this time is conveyed brilliantly by Sepahban, and the pacing is well-balanced and engaging. Sepahban illuminates this important, morally disturbing event in America’s history with delicacy and emotional depth. For more information on Lois Sepahban’s work, visit her website at www.loissepahban.com. A review by Annie Cronin Romano In COUNTING THYME, Melanie Conklin’s middle grade debut, eleven-year-old Thyme Owens is uprooted from her San Diego home and moved to New York City so her younger brother, Val, can undergo experimental cancer treatment. Thyme is determined to return home by March so she and her best friend can celebrate their birthdays together. Challenges at her new school and having to share a room with her emotionally volatile older sister further spur on Thyme’s desire to return home. Thyme uses her parents’ time reward system—a half hour for doing the dishes, an hour for helping with laundry—to save up enough days to visit her best friend. With each passing day, however, Thyme is making friends and mediating drama in New York, and she feels herself drifting further away from her previous life. These changes heighten Thyme’s desperation to return home. Anger and fear set in as Thyme begins to suspect that returning to San Diego may not be part of her parents’ plan after all. Throughout the story, Conklin tenderly and skillfully navigates the conflicting emotions Thyme experiences as she struggles between the resentment she feels about moving and her fear of losing her brother to his devastating disease. COUNTING THYME is a contemporary middle grade novel for children ages 10 and up. This beautifully written story is engaging and heartfelt. A must read! On Writing With humor and sensitivity, Conklin delves into the complexity of dealing with what Thyme wants (to go home) versus what she has (a brother with cancer). Written in first person, COUNTING THYME does not shy away from the emotional struggles of having a family member battling a serious illness. Conklin illuminates the importance of selflessness and sacrifice without being preachy or heavy-handed. For more information on Melanie Conklin’s work, visit her website at www.melanieconklin.com. |
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